There is a rose in East Harlem where hundreds of youngsters learn ballet, tap, modern dance, music, choreography and more while experiencing “a love of the arts, a passion for learning and a desire to strive for their personal best.” The name of the rose is the National Dance Institute.
Brooklyn Mack, internationally acclaimed African-American ballet dancer formerly of the Washington Ballet, made an historic debut as a guest artist in American Ballet Theatre’s production of “Le Corsaire” at the Metropolitan Opera House, June 11-15.
On Thursday, June 13, the centerpiece of Alvin Ailey American Dance Theater’s Lincoln Center engagement will be The Ailey Spirit gala.
When DanceAfrica returns to BAM on Memorial Day weekend, it will highlight a dramatic international story of rebirth and transformation for Rwanda.
Norma Miller, the beloved, effervescent, energetic “Queen of Swing,” was the last surviving member of an elite group of dancers known as Whitey’s Lindy Hoppers.
Anyone who has seen Ailey's exquisite Linda Celeste Sims perform duets with her husband Glenn Allen Sims can attest that there is always something magical in the air when the two dance together.
Dance Theatre of Harlem’s upcoming City Center season (April 10-13) is special for so many reasons.
Dancer, actor, choreographer and charismatic, iconic performer Carmen de Lavallade takes audiences on a magical mesmerizing tour of what can only be described as a charmed life when she graces the Appel Room of Jazz at Lincoln Center with her show, “Life of a Legend,” Jan. 24 and 25 at 7 p.m. each night.
Raven Wilkinson, the first African-American woman to be admitted to a major American ballet company, the Ballet Russe de Monte Carlo, died Dec. 19, at her home in Manhattan.
Mitchell’s life is a testament to the truth of the old saying: “You only live once, but If you do it right once is enough.”