It’s an honor to have one’s work recognized by one’s peers. Of course, we heard that a lot during the recent Emmy Awards, but, trite or not, it’s gratifying to see African-American artists recognized by their colleagues.
When Taylor Stanley was promoted to principal at the New York City Ballet by Artistic Director Peter Martins, he was thrust into a spotlight shared with only a handful of others, most notably the ebullient, late Albert Evans and the venerable Arthur Mitchell, whose promotion by NYCB founder and Artistic Director George Balanchine made him the first African-American principal dancer with any of this country’s major ballet companies.
Carmen de Lavallade, the 86-year-old dancer, choreographer and actress being honored by the Kennedy Center in December, recently announced that she will not attend the White House reception.
Have you ever sat in the audience at an Alvin Ailey American Dance Theater performance during the magnificent dance company’s summer and winter seasons and thought wistfully, “I would love to try to do at least some of that!” Well, nothing’s impossible.
Have you ever sat in the audience at an Alvin Ailey American Dance Theater performance during the magnificent dance company’s summer and winter seasons and thought wistfully, “I would love to try to do at least some of that!”
When Misty Copeland steps onstage in this, her second, year as the first African-American principal in the 75-year history of American Ballet Theatre, she will make history once again with debuts as the first Black ballerina to dance the lead in several iconic classical ballets on the stage of the Metropolitan Opera House.
Robert Battle, artistic director of the Alvin Ailey American Dance Theater, says there are a number of reasons folks should be excited about the company’s upcoming Lincoln Center summer season (June 14-18).
The deep, resonant sound of African drums and the rhythmic pounding of some 50 dancers’ feet make the floor and walls of the Brooklyn Academy of Music fourth floor rehearsal studio reverberate.
Fasten your seat belts.
American Ballet Theatre principal dancer Misty Copeland’s latest book “Ballerina Body” has hit bookstores, and her excitement was palpable as I interviewed her in the “green room” at the Union Square Barnes & Nobles...