Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The multi-saxophonist, flutist, composer and arranger T.K. Blue has an unwavering sound that grew out of his parents’ Afro-Caribbean roots.
Those now controllable frenzy-dancing salsa fans will always have explosive memories of the master Afro-Caribbean and salsa master Eddie Palmieri during his days leading his Conjunto La Perfecta (1961), his album “Azucar Pa Ti” (“Sugar for Me”), which is in the Library of Congress, and his collaborations with Cal Tjader.
International Jazz Day will be celebrated as far away as Antarctica. The continent that contains 90 percent of all the ice on the planet and is the coldest. No fear. We hear the penguins have put together a dynamic bebop band for the occasion.
When Greg Lewis (aka Organ Monk) plays the Hammond B-3 electric organ, it takes on the lively colors of soul, R&B and jazz with the accompaniment of electric guitar and drums. He has been swinging with this hip hypnotic style for more than half a century.
Bob Cunningham, the consummate bassist and composer whose deep rhythmic sound became sought after by such bandleaders as Gary Bartz, Dizzy Gillespie and Frank Foster, died in New York April 1.
When I learned that this humble man of fortitude who was an integral force within the long battle to end apartheid in South Africa died March 28, in Johannesburg, it was a very sad moment for me. He was 87.
The Wilbur Ware Institute will celebrate the trombonist, composer and arranger Slide Hampton’s 85 birthday April 1, at the Bogardus Mansion, 75 Murray St., in the Tribeca section of Manhattan.
Although most jazz festivals have a difficult time just trying to keep jazz as their focal points, the Panama Jazz Festival, founded by the pianist and composer Danilo Pérez, has the perfect formula that brings music education to students, Panama’s colorful music history and great jazz performances for people of all ages from around the world.
Chuck Berry, the dynamic guitarist and songwriter, whose unique singing style crossed all genres and put the R in rock and roll with such hits as “Sweet Little Sixteen,” “Maybellene” and “Johnny B. Goode,” died March 18 at his home in St. Charles County, Missouri. He was 90.
Rudy Lawless, the consummate drummer whose definitive style earned him chairs in the bands of such notables as Andy Kirk, Blue Mitchell, Hank Jones and Roy Eldridge, died Feb. 21 in Manhattan at the Bellevue Hospice.