Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Sonny Fortune, who played alto saxophone like an erupting volcano, with a flute sound reminiscent of a mysterious night covered by a full moon, died.
Hamiet Bluiett, the innovative musician and composer who gave new definition to the relevance of the baritone saxophone, died Oct. 4, at his home in Brooklyn, Ill. He was 78.
After the Joy of Jazz fest, Kevin Naidoo, the owner of The Orbit jazz club, a major Johannesburg jazz venue, had a “post jam session” for the remaining musicians in the city, as well as festival participants and local jazzheads. Those dynamic festival highlighters, the Nairobi Horns from Kenya, performed, and they were still fired up. “This is our first time playing in such a large festival and now Orbit,” said MacKinlay Mutsembi, the trumpeter and co-founder. “This is fantastic!”
As Mayor Herman Mashaba of Johannesburg stated, “What better place to have a jazz festival than in the heart of this great city, where music is a part of our life?”
Jerry Gonzalez, the Latin jazz innovator, whose multi-instrumental talent effortlessly merged the genres of Afro-Cuban jazz, straight-ahead jazz, salsa and Latin jazz, died around midnight Oct. 1. He was 69.
By the end of the 1940s into the 1950s, the smoky tenor-textured voice of Nat King Cole had all the young bobby-sox girls mesmerized.
The all-star ensemble will feature alto saxophonists Greg Osby, Vincent Herring and Jaleel Shaw and tenor saxophonist Jon Irabagon, with pianist Helen Sung, bassist Lonnie Plaxico and drummer Matt Wilson.
Randy Weston, the Brooklyn native and son of Africa, died peacefully Sept. 1, at his brownstone in Brooklyn. He was 92.
Randy Weston, the Brooklyn native and son of Africa, who made the history of the motherland a prerequisite to his live performances and many albums such as Uhuru Africa (1960) died peacefully Sept. 1, at his brownstone in Brooklyn. He was 92.
What happened? Summer is over already? Not fair. The winter seems to hang on like a hungry alligator, but the summer sun fads into the wintry night like a Billie Holiday blues song.