Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The Jazz Foundation of America’s annual fundraiser held at the Apollo Theater (253 W. 125th St.) is one of the most varied musical events in Harlem.
Cecil Taylor, the pianist whose music was an intentional sound of revolutionary freedom, died April 5 at his home in Brooklyn. He was 89.
April is Jazz Appreciation Month throughout the world, and the big celebration day is International Jazz Day. Held April 30 and implemented by the United Nations Educational, Scientific and Cultural Organization in 2011, it highlights jazz and the diplomatic role it has played culturally throughout the world.
The 2018 Uncharted Concert Series, now running through May 12, is one of those unique jazz experiences multilayered with an assortment of possibilities to be explored.
St. Nick’s Pub had been a resounding jazz voice since its 1940 inception. It was known as Luckey’s Rendezvous, owned by Charles Luckeyeth Roberts, a pianist, composer and band leader.
If music were mandatory, everyone would be required to listen to Henry Threadgill’s music at least once or see him perform live.
Harry Belafonte’s life is a compilation of artistic and political channels that has affected America and the world—from his days of being dubbed “the king of calypso,” with a string of hits including his signature “Day-O” renamed “The Banana Boat Song” before its 1950s release.
Now through Oct. 1 Jazz at Lincoln Center’s Coca-Cola Generations in Jazz Festival is in full effect.
Hearing of Dick Gregory’s death on Aug. 19 was a real shocker. And pondering the fact that he was a vegetarian and so aware of living healthy, it just seemed impossible he would leave us at the age of 84.
Billy Hart is a stalwart drummer whose reputation is as noteworthy as a luminous full moon.