Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Now through Oct. 1 Jazz at Lincoln Center’s Coca-Cola Generations in Jazz Festival is in full effect.
Hearing of Dick Gregory’s death on Aug. 19 was a real shocker. And pondering the fact that he was a vegetarian and so aware of living healthy, it just seemed impossible he would leave us at the age of 84.
Billy Hart is a stalwart drummer whose reputation is as noteworthy as a luminous full moon.
Jazzmobile’s Summerjazz fest, Great Jazz on the Great Hill, in Central Park, Aug. 5, 4 p.m. to 7 p.m., is a rainbow jazz combustion.
When you attend a concert of the multireed player and flutist Rene McLean, his music will ascend the boundaries of the hard bop American tradition.
These days the only time you hear about Miami is in a political context on those rare occasions “the Orange Barron” visits from the “Crazy House” to cajole his loyal Cuban Republican supporters.
The drummer Mickey Roker, whose distinctive groove placed him on the first-call list for such musicians as Sonny Rollins, Horace Silver, Tommy Flanagan, Herbie Hancock and Ella Fitzgerald, died May 22 in Philadelphia, where he had resided for many years.
During the 1920s, rent parties were considered the hipper happenings of Harlem.
This year’s Vision Festival 22 runs now through June 3 at Judson Memorial Church (55 Washington Square South, in the West Village).
When discussing the tenor saxophone’s soul or its rhythm and blues swing vernacular, it is necessary to bring both Gene Ammons and Sonny Stitt into the conversation.