Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The drummer Mickey Roker, whose distinctive groove placed him on the first-call list for such musicians as Sonny Rollins, Horace Silver, Tommy Flanagan, Herbie Hancock and Ella Fitzgerald, died May 22 in Philadelphia, where he had resided for many years.
During the 1920s, rent parties were considered the hipper happenings of Harlem.
This year’s Vision Festival 22 runs now through June 3 at Judson Memorial Church (55 Washington Square South, in the West Village).
When discussing the tenor saxophone’s soul or its rhythm and blues swing vernacular, it is necessary to bring both Gene Ammons and Sonny Stitt into the conversation.
The multi-saxophonist, flutist, composer and arranger T.K. Blue has an unwavering sound that grew out of his parents’ Afro-Caribbean roots.
Those now controllable frenzy-dancing salsa fans will always have explosive memories of the master Afro-Caribbean and salsa master Eddie Palmieri during his days leading his Conjunto La Perfecta (1961), his album “Azucar Pa Ti” (“Sugar for Me”), which is in the Library of Congress, and his collaborations with Cal Tjader.
International Jazz Day will be celebrated as far away as Antarctica. The continent that contains 90 percent of all the ice on the planet and is the coldest. No fear. We hear the penguins have put together a dynamic bebop band for the occasion.
When Greg Lewis (aka Organ Monk) plays the Hammond B-3 electric organ, it takes on the lively colors of soul, R&B and jazz with the accompaniment of electric guitar and drums. He has been swinging with this hip hypnotic style for more than half a century.
Bob Cunningham, the consummate bassist and composer whose deep rhythmic sound became sought after by such bandleaders as Gary Bartz, Dizzy Gillespie and Frank Foster, died in New York April 1.
When I learned that this humble man of fortitude who was an integral force within the long battle to end apartheid in South Africa died March 28, in Johannesburg, it was a very sad moment for me. He was 87.